The lest episode of the Elnora series, jazz guitarist Jose Emilio Gobbo talks about brazilian pop and advanced jazz study. 

I learn about the Spanish Inquisition from Adam Del Monte as he prepares for the first performance of his newly penned Flamenco Opera. 

The boys form Germany come on to talk about their new project at the Elnora Guitar Festival. 

I hang out with Jazz guitarist Rez Abbasi during the Ellnora Festival at the University Of Illinois. Happy Tax Day.  

You know what I did last summer! I didn't run over anybody in my car while cruising with my high school friends at Kolmer Gulch, but I did do something I said I wouldn't ever do, interview a 22 year old! Turns out, they can be as fun, vulnerable and interesting as anyone else! I feel stupid. Here is my time with the outstanding guitarist, Alberta Khoury.

He taught me how to play Villa Lobos, how to convey the emotional nuances of modern Brazilian Music, and how to do my hair in 1997.  We never even met. Until Now! Here is my time with Brazilian guitarist Fabio Zanon. 

Connie and I talk about her journey to performing original music by women composers, her position as general manager of the Guitar Foundation of America, and that time that we were forced to play music written by a petulant sophomore composer ( I said that, not Connie. Connie loves you. I hate you. Just kidding. I love you too.)

Hawaiian Guitarist Makana comes on to talk about the tradition of his instrument and the theoretical implications of the harmonies produced by the people of his home state. I went to Medieval Times for my 41st birthday. So I’m pretty cool too.

100 episodes and four years of complaining! Let’s cap it off with one featuring the world’s whiniest classical guitarist, educator, and over eater: Mike Gentile and Simon Powis interview me. Here’s to 100 episodes and thank you for your support. Become a member today at BretWilliamsMusic.com to receive exclusive content. This episode is sponsored by SavageClassical.com and ClassicalGuitarCorner.com. 

Scott Schwartz, director of the Sousa Archives and Center for American Music, and Paul Warnik, a steel-guitar historian/collector tell us the little known story of the rare Grand Letar and it’s mysterious but prolific creator Letritia Kandle.